Friday Inspiration 500

Well, today is the 500th edition of this Friday Inspiration newsletter. Aside from a couple of short breaks (one for some time off in 2021 and the other for the first few weeks of Jay’s life back in 2022), I’ve been doing this every week since November 20, 2015. Which is a long time. If you open this email every week or every once in a while, thanks for reading. If you are supporting this whole operation via Patreon or a paid subscription, thank you again for your support—if it weren’t for you, I’d quit, because, well, bills.

If you’ve always wondered what it’s like to feel the satisfaction of helping keep independent art alive and also would like to hear what’s going on behind the scenes, here’s a link to my Patreon, where you can support for a couple bucks a month. I might be so bold as to say that the writing publication of 500 of these things is a pretty good sign I’ll show up next week, and the week after that, and so on.

I was listening to this live set from Fred again.. and this really catchy bit caught my ear, maybe even sounded familiar, so I looked it up and it turns out it was Fred remixing a tune by one of my favorite artists, Valerie June. Here’s a link to the song, and here’s the full set (video):

thumbnail from Fred again.. - Rooftop Live (Arun’s Roof, London)

 

There are multiple things that just dropped my jaw when I listened to this really brief Atlas Obscura podcast about The Earth Room. For example: a) an artist put 280,000 pounds of dirt in a 3600-square-foot apartment, b) the apartment is in Soho, meaning its real estate value is in the millions, c) it’s been there since 1977, and d) that I had never heard of it before. (If you’re not able to listen to the podcast, the transcript is a good quick read.) Oh, and you can visit The Earth Room—here’s the info.

Austin Kleon shared this link to a clip of photographer Noah Kalina calling his dad—who is a psychologist—and asking him (as a psychologist) about ups and downs in creative energy/creative blocks/creative burnout, and I have to admit, it hits home for me. On one hand, I’ve always been a big fan of the Lorne Michaels quote about Saturday Night Live, that “The show doesn’t go on because it’s ready; it goes on because it’s 11:30.” On the other hand, I have definitely forced it before, and have had a lot of weeks in the past few months that felt like a lot of work to get something decent out there. (Here’s a link to the full 11-minute video.)

These shots are incredible, but I think made even better when you know a bit of the story of how long these photographers waited/planned/did math so they could get the shot. It would be really interesting to hear what they said about how they felt when they finally got these shots, and how they dealt with finally getting something they obsessed over for years.

Based on the title (“Always read carefully”) you might kind of know what’s coming by the time you’re about 10 seconds into this clip, but this podcaster’s co-hosts’ laugher really brings it home in that sort of “we are very comfortable busting your chops and sometimes we don’t even need to say anything when you self-own this effectively.” (From the Contagious Laughter subreddit)

We interviewed runner and writer Sarah Lavender Smith on The Trailhead podcast a couple weeks ago, and it was such a blast for me to hear from a real person in their mid-50s who recently struggled to get through the Hardrock Endurance Run when things didn’t go her way at all. It was also a blast to read some of Sarah’s writing about the race back to her on the podcast—including the passage about vomiting fire. If you’d like to give it a listen, here are the links:
Apple Podcasts | Spotify

Only somewhat related: Sarah also recently posted on Substack a link to a New York Times piece about “men leaving fiction reading behind,” and asked if any men who followed her were still reading fiction. I didn’t read the article, but I of course was in the middle of reading a fiction book at that point and said so. Then I looked back and realized I’ve read quite a bit of fiction this year, so I thought I’d share the titles here.

The Ministry for the Future by Kim Stanley Robinson
Publisher’s page | Bookshop

The Boy, the Mole, the Fox and the Horse by Charlie Mackesy
Publisher’s page | Bookshop

Orbital by Samantha Harvey
Publisher’s page | Bookshop

Lonesome Dove by Larry McMurtry
Publisher’s page | Bookshop

Girl in the Creek by Wendy N. Wagner
Publisher’s page | Bookshop

Before the Coffee Gets Cold by Toshikazu Kawaguchi
Publisher’s page | Bookshop

Dear Committee Members by Julie Schumacher
Publisher’s page | Bookshop

Wide Sargasso Sea by Jean Rhys
Publisher’s page | Bookshop

Parade by Rachel Cusk
Publisher’s page | Bookshop

The First Bad Man by Miranda July
Publisher’s page | Bookshop

The Dispossessed: An Ambigiuous Utopia by Ursula K. LeGuin
Publisher’s page | Bookshop